Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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CARPIONI, Giulio
Liriope Bringing Narcissus before Tiresias

ID: 67670

CARPIONI, Giulio Liriope Bringing Narcissus before Tiresias
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CARPIONI, Giulio Liriope Bringing Narcissus before Tiresias


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CARPIONI, Giulio

Italian painter, Venetian school (1613-1674)  Related Paintings of CARPIONI, Giulio :. | Neptune Chasing Coronis | Crucifixion fdg | Liriope Bringing Narcissus before Tiresias | Crucifixion | Giulio Apollo and Marsyas |
Related Artists:
Albert Wohlenberg
painted Am Lehnitzsee bei Neu-Fahrland in 1899
Jean Baptiste Oudry
French Baroque Era Painter, 1686-1755 French painter. He was the principal animal painter and one of the foremost decorative painters during the first half of Louis XVs reign. After initial training as a portrait painter, he concentrated on still-lifes; by the 1720s he had also begun to establish himself as a specialist in hunting scenes, game-pieces and portraits of animals. He ran an active workshop, often keeping his best originals for years and selling copies and (more or less autograph) variants. In the 1730s he was most active as a tapestry designer, making numerous designs for the royal tapestry works of Beauvais and the Gobelins, and he continued to produce his brilliantly painted hunts, still-lifes and studies of animals and birds to the end of his career.
Edwaert Collier
Dutch 1640-1706 Evert Collier was born about 1640 in Breda, Noord-Brabant, and died in 1708. He is believed to have trained in Haarlem, as his earliest paintings show the influence of Pieter Claesz and Vincent Laurensz van der Vinne. By 1667, he had moved to Leiden, where he became a member of the Guild of St. Luke in 1673. He moved to Amsterdam by 1686 and to London in 1693. He was buried September 8, 1708 at St. James, Piccadilly. The Denver Art Museum, the Honolulu Academy of Arts, the National Portrait Gallery (United Kingdom), the Rijksmuseum (Amsterdam) and the Tate (London) are among the public collections having paintings by Evert Collier.






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